The Clock (1945)

"The Clock was unique."

These were Vincente Minnelli's words when he was interviewed some thirty years later by Richard Schickel (The Men Who Made the Movies) on the films he had made in his thirty-three year career. It was only his fourth film, following Cabin in the Sky (1943), I Dood It (1943), and the Christmastime favorite Meet Me in St. Louis (1944) where he met the "little girl with the big voice," Judy Garland.

Minnelli was finishing up Ziegfeld Follies (1946) when Judy asked him to take over a movie she was making that was in danger of being scrapped. The film was The Clock, starring Judy and Robert Walker. Based on an unpublished short story by Paul and Paulline Gallico, and scripted by Robert Nathan who wrote the novels The Bishop's Wife and Portrait of Jennie, the film started under the direction of Jack Conway and then Fred Zinnemann, before being replaced with Minnelli.

Minnelli had to make some key changes to make the story - of a young soldier on leave and a girl who keep bumping into each other, go out on a date, fall in love, and marry, all in two days - work. The most important thing he did was to make New York a character: "Everything I could remember about New York went into it." He also made some cast changes, with Ruth Brady taking over Audrey Totter's role as Alice's (Garland) roommate, and James Gleason replacing Hume Cronyn as the milkman (Gleason's real-life wife played his wife in the movie as well).

This love story is really about the urgent mood of a city in war-time, etched with the same extraordinary precision of detail. By turns exuberant and claustrophobic, his [Minnelli] milling panoramas aren't merely a picturesque frame for a simple love story. New York's indifferent hubbub shapes everything that happens to The Clock's anonymous working girl and average GI on leave: edging them closer together for a touch of human warmth, abruptly dividing them in the chaos of the subway at rush hour ("Directed By Vincente Minnelli" by Stephen Harvey).

The film begins with the camera singling out a soldier from a crowded Pennsylvania Station. Then it picks out a young woman, following her until she runs into the soldier, who accidently trips her causing her heel to break.

Shoe appreciation alert.

They end up spending the day together - riding an open-air bus, going to the zoo, and touring the Metropolitan Museum. After they part, Joe (Walker) realizes he wants to see Alice again so he chases her bus and asks her to meet him that evening.

To convey the heroine's shy, contemplative quality, much of the time he [Minnelli] built her characterization on her hesitant gestures and the innate tenderness of those expressive eyes ("Directed By Vincente Minnelli" by Stephen Harvey).

Check out Judy's cute hat!

Back at her apartment, Alice's roommate discourages her from keeping her date, saying it's just another soldier's pick-up, but Alice goes anyway. They have dinner and then go walking in the park, where they have their first kiss.

Then, realizing they missed the last bus back into town, they catch a ride with a friendly milkman Al Henry (Gleason) on his milk truck. They stop at small diner where a drunk (Keenan Wynn) punches Al, leaving him unable to finish delivering the milk. Joe and Alice step in and finish for him, ending at the milkman's house where his wife makes them breakfast. Mrs. Henry sees that the young couple are in love and tells them they should get married, since she has been so happy married to Al.

Alice in Joe head to the subway to start wedding plans and get separated. Realizing they don't even know each others last names, they frantically search for each other, finally thinking to go to the spot where they met for their first date - the clock at the Astor Hotel. They head to city hall to get married where this humorous incident occurs:

They then find out just how difficult it is to get married quickly - blood tests, the marriage license with the standard waiting period - not to mention everything is in different buildings in different parts of town. When they do finally get married, it is in an office that is being cleaned and with the vacuum lady standing in as a witness. Afterwards the newly-weds go to a diner where Alice breaks down over their unromantic wedding. They head to a nearby church, where a couple has just been married, and whisper their wedding vows, again to one another in the light of the candles.

The following morning, a glowing bride fixes a simple breakfast for her husband and takes him to the station, where he heads out to rejoin his outfit to finish the war before he can come back to his little wife.

 

♥ ♥ ♥

 

I have to say a word on George Folstey's cinematography. Folsey had just photographed Garland exquisitely in the Technicolor musical Meet Me in St. Louis (1944) and was asked to do same in black and white. I have to admit it was difficult to not take a million screenshot's of Judy's beautifully lit face.

Trivia:

This film, Judgment at Nuremberg (1961) and A Child Is Waiting (1963) are Judy Garland's only non-singing movies.

When Alice meets Joe for their first date, they meet under the Beaux Arts clock in the lobby of the Astor Hotel in Times Square. This then-famous hotel was built in 1904, and demolished in 1967 to make way for the One Astor Plaza office tower.

The lady at the luncheonette counter is Moyna MacGill, Angela Lansbury's mother.

Minnelli and Judy, who had started dating during the filming of Meet Me in St. Louis, had actually been separated, with Judy resuming her relationship with Joseph Mankiewicz. However, during the filming of The Clock they got back together, marrying on June 15th, less than a month after the picture was released.

This post is part of The Vincente Minnelli Blogathon hosted by Love Letters to Old Hollywood. Please be sure to read all of the other posts celebrating this great director!

And Then There Were None (1945)

Ten people are invited to an isolated island, only to find that an unseen person is killing them one by one. Could one of them be the killer?

That is the premise of one of my favorite mystery stories by the Queen on Crime, the great Agatha Christie. Originally written in 1939, the book, a best seller with over 100 million copies sold, has been made into a movie more times than any of Christie's other novels and has appeared as a television production even more, attesting to the popularity of the story through the decades. You can read more about the book and it's adaptations here.

The Island "prison."

The story was first adapted for the stage, with a alternate ending. This ending is the one mostly used in the film adaptations, the first of which was And Then There were None (1945) starring Barry Fitzgerald, Walter Huston, Roland Young, C. Aubrey Smith, Richard Haydn, and Judith Anderson. The young couple and romantic interest in the film is played by Louis Hayward and June Duprez. Like the book, the story takes place on an island (changed to the Alps in the 1965 film titled Ten Little Indians). A group of strangers are invited there by a Mr. U. N. Own (get it - "unknown"), of which none of them has ever actually met. They arrive by boat and are informed that it will be back to pick them up in a few days. The guests are met by two servants, husband and wife, whom they learn have just been hired and also do not know their mysterious host. Everyone is settled in their rooms and have dinner, where they begin to get to know one another. After dinner, a record begins to play. A voice identifies itself as their host and proceeds to tell them why they are there. It seems that everyone has a shady past, whether it was murder or some other sort of crime. The guests are indignant and attempt to tell their stories to clear their names of their supposed crime.

Judith Anderson, the perfect person to put in the middle of a Christie story.

It is then that things begin to get interesting. Prince Nikita Skarloff (Mischa Auer - the protégé from My Man Godfrey) begins drunkenly playing the piano and suddenly collapses, poisoned. Someone notices that one of the Indian statuettes they had only just been admiring on the dining room table has been smashed. They also realize that there is a statue for each of them, totaling ten. Vera Claythorne (Duprez) suddenly recalls a rhyme about "Ten Little Indians," in which the first choked to death. At first everyone thinks there is a killer hiding in the house but suspicion quickly turns to each other as one by one each person meets a terrible fate until finally there are only two people left alive.  Which one of them is the killer? Will he or she kill the other and then hang himself, as the poem says? You'll have to watch the movie or read the book to find out!

Here is the rhyme (the word Indians has since been replaced with Soldier Boys):

Ten little Indian boys went out to dine;

One choked his little self and then there were Nine.

 

Nine little Indian boys sat up very late;

One overslept himself and then there were Eight.

 

Eight little Indian boys traveling in Devon;

One said he'd stay there and then there were Seven.

 

Seven little Indian boys chopping up sticks;

One chopped himself in halves and then there were Six.

 

Six little Indian boys playing with a hive;

A bumblebee stung one and then there were Five.

 

Five little Indian boys going in for law;

One got into Chancery and then there were Four.

 

Four little Indian boys going out to sea;

A red herring swallowed one and then there were Three.

 

Three little Indian boys walking in the Zoo;

A big bear hugged one and then there were Two.

 

Two little Indian boys were out in the sun;

One got all frizzled up and then there was one.

 

One little Indian boy left all alone;

He went out and hanged himself and then there were none

 

 

Released on Halloween of 1945, the film was highly successful. Unfortunately it has fallen into the public domain so copies of the film are extremely poor.

 

Although I really like this movie, I highly recommend reading the book first, as it is superbly written and with a truly thrilling climax. You can watch the movie in its entirety below:

 

 

This post is part of The Agatha Christie Blogathon hosted by Christina Wehner and Little Bits of Classics. Be sure to read all of the other suspense-filled posts!