Double Feature: Two Hitchcock Remakes

I recently discovered British actor Kenneth More in The Admirable Crichton (1956) and, by searching Tubi to see what other films of his were available, that he had starred in a 1959 remake of Alfred Hitchcock's The 39 Steps (1935), which is a great favorite of mine. This led me to also discover that there was a 1979 remake of The Lady Vanishes starring Cybill Shepherd, Elliott Gould, and Angela Lansbury. I ended up watching them back-to-back and decided to jot down a quick post with my thoughts.

While enjoyable, The 39 Steps, directed by Ralph Thomas, had none of the suspense of the original. More acted as if he were simply on holiday and there was never any real feeling that his life was in danger. The women in the film - the lady who was murdered in his flat, the wife at the house he took refuge in, and finally Miss Fisher (Madeline Carroll's role) - weren't quite right either. The first was too matter of fact, the second a "fortune teller," and Miss Fisher not nearly annoyed enough. All of the tenseness of the original scenes simply wasn't present. The impromptu political speech Hannay gives in the original is replaced with a botany lecture at a girl's school that isn't nearly as tense or funny and the final scene fell a little flat. It's still worth a watch and the color scenery was lovely, though not as harsh and dramatic as in black and white. It helped lend to the more "holiday" feeling.

The Lady Vanishes, directed by Anthony Page, faired better. I've only seen the original once (as opposed to I think four times for The 39 Steps plus the book by John Buchan). Cybill Shepherd plays the heroine differently than Margaret Lockwood (I do wish Sheperd didn't talk so loud the entire time) but it was a fun film. Again, not as tense as the original but that film also had more of Hitchcock's humor. I would say the remake had a slight screwball element to it as well with Sheperd's portrayal as a seemingly flighty heiress with multiple marriages and on her way to another.  It was set in 1939 and had a stronger N*zi presence - our introduction to Shepherd's character is her doing a H*tler impression. There was on-location shooting in Austria, so this film had lovely scenery as well. 

Have you seen any remakes of Hitchcock films (aside from the one's he remade himself)? What did you think of them? Did you like them better than the original?