I figured for Noirvember we needed a Noir wedding gown ;)
This lavish home wedding hides a secret - the groom (Lawrence Tierney) is in love with the wealthy bride's (Audrey Long) penniless sister (Claire Trevor).
The dominate feature of this gown is its half circles that appear to be thick piping. They are everywhere on the dress. Above you see a fully lined, fitted bodice with small buttons up the front and diaphanous sleeves with the padded shoulder so typical of the 1940s. The large rounded neckline is edges with the piping loops. A simple strand of pearls graces the throat. The veil, which looks a little like a nurse cap, is also trimmed that way, with the center loop being pointed.
In this shot we see how the tulle of the veil is attached to the headpiece. Note the loops adorning the wrist.
A giant sash is draped around the waist of the floor-length gown. Here you can see the sleeves are gathered and puffed to the elbow - with the loop trim inside - where they become fitted to the wrist. The veil appears to be at least floor-length.
The sash is completely trimmed with the loops. As you can see, the bow is extremely large and ends hang far down the back of the dress. You can see the loops in the sheer sleeves well in these shots.
Here is Clair Trevor as the bride's sister and Maid-of-Honor. Like the bridal gown, it too has a large rounded neckline, padded shoulders, and long sleeves, but here the similarities end. There is pleating at the neckline for a perfect fit. The bodice is decorated with sequins or beads. Her elbow-length veil sits atop a crown-shaped hat, also sparling.
The sleeves are looser at the top and fitted at the wrist. The full tulle skirt ends at the calf. A glittering necklace and large round earrings complete the look. I wonder what color it was?
"Criminal pathologists try to crack a case with nothing but the victim's bones to go on."
This was the brief synopsis on TCM for the 1950 film Mystery Street. It sounded interesting so I added it to my list. I was also intrigued because the lead was played by Mexican actor Ricardo Montalban, who I've watched recently in a couple Esther Williams films as well as the WWII film Battleground (1949) - in which he gave a wonderful performance.
As soon as I watched it, I knew I had to write about it. Showing the procedural side of police work, the film was groundbreaking in showing how policemen use the science of forensics to solve crimes, in this case a murder in which all that is left to go on is some bones buried in the sand on the beach.
The audience already know who the bones belong to and who committed the crime, so there is no mystery involved. The excitement comes from seeing the way in which the clues are gathered and how the murderer and his victim are identified by the police. There is of course some suspense/action near the end with the death of the victims' landlady who tried to use her knowledge for monetary gain.
Trailer
The film opens with the victim, Vivian Heldon (Jan Sterling) making a phone call to the married man she is having an affair with. She demands he meet her at the Grass Skirt cafe, her place of employment in Boston. While there she meets a young man, Henry Shanway (Marshall Thompson), who's wife has just lost their baby in childbirth. Vivian offers to take the inebriated Shanway home but instead takes over his car to meet her lover Hartley on Cape Cod. When he protested to ditches him on the side of the road a few miles from a diner. At the beach, Vivian demands Hartley give her money. Instead, he shoots her while she's still on the car, then buries her body among the sand dunes.
Three months later, her bones are discovered. They are all that remain of Vivian. The car belonging to Shanway, which was sunk by Hartley in a nearby pond, is also found. Police Lieutenant Peter Moralas (Montalban) is put on the case. They take the bones to Dr. McAdoo (Bruce Bennett), the forensics expert at the Department of Legal Medicine at Harvard University. McAdoo explains the process of gaining clues from bones. Once the skeleton is assembled, he is able to tell the sex, age, height, and build of the victim and when she died. The bones also reveal that she was pregnant. With that information, the police are then able to look through their missing persons file and narrow down the results. The most fascinating part (which you can watch here) is when they take photos of the possible candidates and match them with the skull (these scenes reminded me of the popular show Bones, which ended it's 12 season run last year).
Once they've ided the victim, Moralas sets out to figure out who murdered her. He visits her boarding house, run by Mrs. Smerrling (Elsa Lanchester) and is shown the victims belongings that were left behind and packed away by Mrs. Smerrling. When questioned by Moralas, she does not reveal all she knows. Calling a number that Vivian had scrawled on the wall next to the telephone, she tracks down the killer and pays him a visit in order to blackmail him. While he doesn't give her any money, she steals his gun - the murder weapon - from his desk and slips it in her purse.
Moralas meanwhile, also visits the Grass Skirt and learns that Vivien left with a young man. They track him down and are able to confirm that the car they found in the pond was his, which he had reported was stolen from in front of the hospital. Caught in his lie, he becomes their prime suspect and is arrested. However, the discovery of the bullet that killed Vivian lodged under the car raises doubts in Moralas' mind. He continues searching and is lead to Hartley by checking Vivien's phone bill. Hartley denies knowing Vivien and watches nervously as Moralas searches his office. When the gun is not discovered, Hartley pays a visit to Mrs. Smerrling, who again tries to blackmail him. She has hidden the gun at the baggage claim at the train station and put the claim ticked in a bird cage. Hartley, getting desperate, forces her to reveal the hiding place then, when there's a knock on the door, hits her on the head with a candlestick, killing her.
The visitor is Shanway's wife, trying to prove her husband's innocence. Moralas shows up a few minutes later - he was going to question Mrs. Smerring again - discovers the baggage claim ticket, and hurries to the train station. He arrives just moments after Hartley convinced the baggage claim attendant to give him the bag containing the gun despite not having a ticket. He and his partner chase Hartley down and arrest him for the murder of Vivian Heldon, clearing Shanway in the process.
The film, directed by John Sturges, was filmed in Boston and had a special thanks to Harvard in the credits. The screenplay was nominated for an Academy Award. Mystery Street is the Noir Alley pick for April 14/15 on TCM. Don't miss it!
I unknowingly watched a movie on Tuesday, April 21, with Anthony Quinn in it on the anniversary of his 100th birthday! The film was Larceny Inc. (1942), starring Edward G. Robinson, Jane Wyman, Jack Carson, and a young Jackie Gleason!!
It's about an ex-con who, after getting out of prison decides to rob a bank. He buys a luggage store next door to the bank and has his henchmen start to dig a hole in the basement. Wyman, who wants Robinson to go straight, advertises sales for his store so that his business booms. With the money rolling in, Robinson decides that maybe earning money honestly isn't so bad after all. He decides to go straight for real this time. Unfortunately, his old pal Quinn gets wind of his old plan and breaks out of jail to get in on the deal. There's nothing Robinson can do but follow Quinn's orders.
Playing baseball for the prison team
"Weepy"
Mademoiselle Gloria (owns a lingerie store): Well I wish you'd drop in and look over my lingerie sometime.
J. Chalmers 'Pressure' Maxwell (Robinson): Well, you drop in sometime and look over my trunks.
Quinn means business
Never thought you'd see Robinson dressed as Santa did you?
Well, you just did.
It was fun seeing Jackie Gleason. I didn't recognize him at first! You can see the start of the famous Jackie Gleason facial expressions. It just looks like he's trying to imitate Ralph Kramden and failing though.
This film wasn't as good as The Whole Town's Talking that I posted about last Sunday, but it was still enjoyable to watch.
