Today TCM's Summer Under the Stars is honoring British actress Jean Simmons and giving the chance to many of us to get to know this beautiful and talented actress.
I first discovered Jean Simmons in Until They Sail (1957). I had come across this photo on the internet a few years before but it wasn't labeled. I only recognized Joan Fontaine and Sandra Dee. Then, during my "Paul Newman" phase, I caught Until They Sail on TCM and finally knew what the photo went to. Though I started watching it for Newman, it was Jean Simmons that caught my eye (not to mention her and Newman go great together).
The music in the background is annoying.
After that I watched The Robe (1953). Again, Jean Simmons gives a wonderful performance. Then I saw her in one of her earlier, British films So Long at the Fair (1950). I started watching it, I realized I already knew the plot, as it is used in an episode of Alfred Hitchcock Presents with Patricia Hitchcock in the lead role (and a mother instead of a brother).
Jean Simmons was born January 31, 1929 in London. A dancer, she got her start in movies at the age of 14, making her film debut in Give Us the Moon (1944) starring Margaret Lockwood. She appeared in fourteen films in the 1940s alone. 1950 started off with So Long at the Fair. She married actor Stewart Granger that same year. They had one daughter before divorcing in 1960. A few months later she married Richard Brooks. They also had a daughter.
I know, I know, it's difficult with Paul Newman in here but you will just have to calm down! At least enough so I can tell you about one of Paul's movies, The Young Philadelphians (1959).
Reminds me of the opening credits of Catch Me if You Can (2002).
This movie is one of those films that feels like several movies in one in that it is rather episodic. It also features a host of Classic Television Stars (Adam West - Batman, Robert Vaughn - Napoleon Solo, Brian Keith - Uncle Bill, Diane Brewster - Miss Canfield) as well as a nice mix of Old and New Hollywood.
The movie opens on a wedding night. But it is not destined to be a happy one. Kate Judson Lawrence (Diane Brewster) has married socially prominent Bill Lawrence (Adam West) to ensure that her children have a better start in life than she did. In their hotel room Bill becomes upset and says he can't go through with it. It turns out he is unable to have children (or is a homosexual). He leaves Kate alone and drives off into the night.
Kate, also upset, goes to her true love, Mike Flanagan (Brian Keith), a poor laborer, to seek solace. The next morning she learns that Bill died in a car crash. Not long after his death, Kate discovers she is pregnant. Bill's mother threatens to tell everyone the truth but after Kate says that all she wants for her child is the Lawrence name and not the Lawrence fortune, not to mention that she threatens to tell everyone the truth about Bill, his mother agrees to keep her secret.
Isobel Elsom as Mrs. Dewitt Lawrence
Fast-forward several years later and we come upon handsome Anthony 'Tony' Judson Lawrence (Paul Newman). He is a pre-Law student at Princeton and in the summer works at Mike Flanagan's successful construction company. We learn that Kate did not marry Mike because he wouldn't be able to "open the right doors" for her son but has remained close friends with him. Mike has become a father figure to Tony, who is oblivious to his true origins.
While at work he meets Joan Dickinson (Barbara Rush), the daughter of Gilbert Dickinson (John Williams), a prominent attorney. Later, they meet again at a party. Soon the two are dating and considering marriage. Their parents however, have other plans.
On the night Joan and Tony are planning to elope, Mr. Dickinson suddenly comes by with an offer Paul can't refuse (the theme in this movie is rich parents interfering with their children's lives resulting in loveless marriages). He accepts, Joan marries someone else, and Tony has a fling with an older woman (Alexis Smith) married to an even older man, Mr. Wharton (Otto Kruger) in order to climb even further in his career (as a lawyer).
However, once Tony has established himself as an up-and-coming lawyer, the Korean War comes along. He makes it through unscathed but his friend Chester (Robert Vaughn) loses an arm and Joan's husband conveniently dies, leaving the way open for her and Tony to rekindle their romance at a later date.
Back at Mr. Wharton's firm, Tony is given a low-position job. This doesn't sit well with him. He's not going to let the war ruin his promising career. Salvation comes in the form of a feather-brained elderly woman, the delightful Billie Burke, Mrs. J. Arthur Allen. The ensuing case shows that Tony is a force to be reckoned with; he's not only smart, he's also shrewd.
Robert Vaughn, who plays Tony's friend Chester A. Gwynn, describes what happens next perfectly:
Chester "Chet"
Gwenn's family threaten to reveal Tony's background if he takes Chester's case, leading his mother to reveal who is father is. Tony takes the case anyway and proves that he's got what it takes to win not only the case, but also silence the people who threaten his career (he's got some information up his sleeves too).
Here's where it all goes down (with Richard Deacon from The Dick Van Dyke Show and Leave it to Beaver as the butler):
Sorry if this post is a little confusing. There's a lot going on and it's been a while since I saw it (I wasn't able to get it from the library like I thought). You can read a full Synopsis on the TCM website.
Barbara Rush (Joan) on the enduring popularity of the film and working with people she admired:
Finally, here's a cute interview by Barbara Rush with Paul Newman while he was filming Hombre.
When one hears the words "Hollywood couple," several names come to mind: Bogie and Bacall, Gable and Lombard, Frank and Ava, Burton and Taylor. Of the four mentioned, two ended in an early death and the other two in divorce. None of them lasted for a significant amount of time. If I was to pick a Hollywood couple to use as "relationship goals," I would pick Paul and Joanne.
Hollywood marriages are almost always tumultuous and seldom make it past ten or sometimes even one! The ones that do last, however, are not because everything is rosy-dosy, but because the couple chooses to work at their marriage when an obstacle hits, instead of throwing in the towel at the first sign of trouble. Paul Newman and Joanne Woodward were one of these couples.
From the beginning, Paul and I had an advantage: we were good friends before we were lovers. I mean, we really liked each other. We could talk to each other. We could talk to each other, we could tell each other anything without fear of ridicule or rejection. There was trust.
Paul and Joanne first met while "making the rounds of agents" in the television industry.
Newman:I saw her coming out of the door at MCA, the theatrical agency, and I just thought, jeez, what an extraordinarily pretty girl. I had on my one suit - I had one seersucker suit, which I, you know, would wear all week and wash over the weekend. A button-down collar. A knit tie, a black knit tie. I said hello.
Woodward:He (Maynard Morris, agent at MCA) had discovered... me and he discovered Paul and he introduced us one day. I had been making the rounds and I was hot, sweaty, and my hair all stringy around my neck. He brought out a pretty-looking young man in a seersucker suit, all pretty like an Arrow Collar ad, and said, "This is Paul Newman," and I hated him on sight, but he was so funny and pretty and neat.
The two met again when they were both cast in the 1952 Broadway production of Picnic, later made into a movie starring William Holden and Kim Novak. Newman - who was married at the time and awaiting the birth of his second child with wife, Jacqueline Witte - was cast as Hal's (Holden's role in the movie, Ralph Meeker in the play) younger friend (played by newcomer Cliff Robertson in the movie). He was also the understudy for the role of Hal. Woodward was the understudy to both Madge (played by Novak in the film) and that of Madge's younger sister, Millie. Out of the play's 477 performances, Woodward went on 50 times.
Newman in Picnic
As both Newman and Woodward were understudies for the leads, they rehearsed a lot together. It was during this time that their friendship grew. "I'm going to get that one," a fellow actress recalled Woodward saying. However, over the next few years she dated other men and was even engaged three times - "All southern girls like to get engaged even when they aren't ready to get married."
After Picnic, both actors continued their work in television and broke into movies - Newman in such films as The Silver Chalice (1954), The Rack (1956), and his breakout film role as boxer Rocky Graziano in Somebody Up There Likes Me (1956), and Woodward in Count Three and Pray (1955) and A Kiss Before Dying (1956). Woodward then starred in HER breakout film, The Three Faces of Eve (1957).
During these few years, Newman and his wife had a third child. However, with Newman spending so much time on his acting career, a rift had grown between them. Then, in 1957, Newman and Woodward were cast in The Long, Hot Summer (1958), a steamy romance set in sweltering Mississippi. While Woodward spurned Newman on-screen, off-screen they began secretly living together. By the time filming was over, Newman and his wife had divorced, leaving Newman free to pursue a relationship with Woodward.
Though both were initially wary of marriage - Newman with his failed first marriage and Woodward's parents had divorced when she was young - the two were married on January 29, 1958 at the El Rancho Hotel and Casino in Las Vegas. The usually private couple surprisingly allowed their marriage ceremony to be public. Plenty of photographs were taken, as well as video footage. Newman was 33 and Woodward was 28.
After a honeymoon first at a small Greenwich village and then London, the exciting news that Woodward had been nominated for her phenomenal performance in The Three Faces of Eve broke. When the night of the Academy Awards came, Newman and Woodward were the most glamorous couple in attendance (Woodward made her own gown). The couple presented the award for film editing, endearing themselves to the public with their seemingly spontaneous bantering.
When Woodward was announced as the winner for Best Actress, no one was more proud than Paul Newman, even though his performance the year before in Somebody Up There Likes Me had been overlooked for a nomination (to make up for it a friend had awarded Newman with a "Noscar"). You can watch Woodward's win here.
Newman and Woodward in a romantic mood at the Oscars.
With the success of The Long, Hot Summer, Newman and Woodward were cast in Rally 'Round the Flag, Boys! (1958), a film reminiscent of the screwball comedies of the 1930s. Light comedy proved to not really be their strong point, with only the love scenes coming across as believable.
In April of 1959, Woodward gave birth to their first child, daughter Elinor Teresa Newman. She was followed by Melissa Steward in 1961 and Claire Olivia in 1965.
Woodward during her first pregnancy:
I sit around and read cookbooks and sew and wait for Paul to come home. I love it.
Eight months after Elinor (Nell) was born, Woodward was back at work, making another film with her husband - From the Terrace (1960). This was followed by Paris Blues (1961), and A New Kind of Love (1963), Winning (1969), WUSA (1970), The Drowning Pool (1975), Harry & Son (1984), and Mr. & Mrs. Bridge (1990) for a total of ten films together. Newman also directed Woodward in Rachel, Rachel (1968), The Effect of Gamma Rays on Man-in-the-Moon Marigolds (1972) - which also starred their daughter Nell, The Shadow Box (1980 TV movie), Harry & Son (1984), and The Glass Menagerie (1987).
Newman and Woodward on What's My Line 11/8/59 (they come on at 17:45 - the best part is the very end)
Now, the Newman's life wasn't all perfect. They argued like every couple. They had their difficult moments, their sorrows. But what made them different then most movie star couples is that they didn't throw in the towel at the first hardship. They worked through the difficulty and kept going.
Newman and Woodward were married for 50 years, a rarity in the movie business. Newman died the following September (2008). Woodward is the fourth oldest Oscar winner still alive.
Sexiness wears thin after awhile and beauty fades, but to be married to a man who makes you laugh every day, ah, now that is a treat.
♥ ~ ♥ ~ ♥
Fast Facts
Paul Newman:
Born) Jan. 26, 1935 in Cleveland Ohio
Full name) Paul Leonard Newman
Height) 5'9.5"
Nickname) King Cool, PL
Spouses) Jacqueline Witte (1949-1958)
Joanne Woodward 1958-2008 (his death)
Children) 6
Died) Sept. 26, 2008 (lung cancer)
Joanne Woodward:
Born) Feb. 27, 1930 in Thomasville, Georgia
Full name) Joanne Gignilliat Trimmier Woodward
Height) 5'4"
Nickname) Joey
Spouse) Paul Newman 1958-2008 (his death)
Children) 3
