Lucille Ball and Desi Arnaz were the ultimate Dynamic Duo. Married in real life, they perfectly complemented each other. Not only were they paired in the classic and groundbreaking TV show I Love Lucy, they also shared the screen in two movies (they met on the set of Too Many Girls in 1940 but don't share the screen much). And in both of those films, The Long, Long Trailer (1953) and Forever, Darling (1956), their characters were married.
Searching for wedding pictures of Lucy and Desi on the internet is not an easy task as every on-screen wedding can be, and usually is, labeled as their REAL wedding. The couple actually eloped on November 30th, 1940, just six months after they met. In 1949 they renewed their vows, which we have photos of.
For the Catholic Church service, Lucy wore a blue satin dress with a full skirt and portrait neckline, which she paired with a chic white flowered hat, ruffled gloves, and strappy peep-toed heels. Desi looked sharp in a white suit.
In season 1 of I Love Lucy, Lucy and Desi had their first on-screen wedding. In "The Marriage License," which aired on April 7, 1952, Lucy finds a misspelling on her marriage license and believes her marriage to Ricky (Arnaz) isn't legal. Lucy makes Ricky recreate his proposal and the two get married at their hotel (which incidentally was the Byram River Beagle Club in Greenwich, Connecticut where Lucy and Desi had been married in 1940). You can watch the full episode here.
Lucy wore a full skirted dress with spaghetti straps, a lovely tulle veil attatched to a floral headpiece, multi-strand pearl choker, and satin peep-toe heels with an ankle strap.
For The Long, Long Trailer (1953) Lucy wore an exquisite lace gown designed by Helen Rose. It had a strapless bodice with a lace overlay featuring a high stand-up collar and long sleeves. A lace apron-like skirt fell over a full skirt. A flowered headpiece worn on the back of the head held the long tulle veil.
In Forever, Darling (1956) Lucy wore a similar dress with a more elaborate veil, this one designed by Eloise Jenssen. The headpiece has lace and flowers that frame the face closely and the dress has a dramatic pleated skirt.
The sketch by Jenssen shows a different veil. To see more photos check out my more in-depth post.
Lastly, here are some wedding anniversary photos that could be mistaken for wedding photos.
I took a while deciding what film to write about for the Olivia de Havilland Centenary Blogathon. I love so many of her films and wish I could write about all of them. I wrote about one of them last month for the Royalty in Film Blogathon - Princess O'Rourke.
After waiting and seeing what everyone else was covering, and seeing that no one was covering (by itself) They Died with Their Boots on (1942), the first Errol Flynn/Olivia de Havilland movie I saw (I saw part of The Adventures of Robin Hood when I was young but all I remembered from it was the balcony kissing scene and that Maid Marion was the most beautiful woman I had ever seen), I decided to go with it.
They Died with Their Boots on is the last film Errol Flynn and Olivia de Havilland made together, out of a total of eight beginning in 1936. Because of this, there is an added poignancy to the film that otherwise would not be there.
One of America's Immortals! Custer's last stand...and the story of his life...his love and his death-defying courage!
A somewhat loose biopic of General George Armstrong Custer, the film follows Custer (Flynn) from his early days at West Point up to the infamous Custer's Last Stand (1857-1876). Like all biopics, the film is long, especially for 1940s standards, running a total of 139 min. But with such a great cast, including supporting actors Hattie McDaniel, Sydney Greenstreet, Anthony Quinn, John Litel, Gene Lockhart, and Regis Toomey the film doesn't feel long.
The film also features a beautiful score by Max Steiner and is directed by the great Raoul Walsh (138 directing credits including several Flynn and de Havilland films, High Sierra (1940), and Battle Cry (1955). Hal B. Wallis produced the film and his brother-in-law, Wally Kline, wrote the screenplay, along with Aeneas MacKenzie. Kline also contributed to Hard to Get (1938) starring de Havilland and Dick Powell and a few other films. MacKenzie has a slightly larger resume, including The Private Lives of Elizabeth and Essex (1939), a couple John Wayne films, and The Ten Commandments (1956).
The film opens on Custer's first day at West Point. His entrance (above) says a lot about him. His reason for joining the army? That's where the glory is! One sees far more statues of soldiers than of civilians.
A year before his graduation, the Civil War breaks out. However, because of Custer' record - he has the lowest marks and the highest demerits in the history of the Academy - he is not allowed to graduate early with the rest of his class... at first. While the heads of the school are deciding who else to graduate early, Custer meets a very important young lady.
Custer first meets Libby while doing a punishment tour for his latest "escapade." Libby is looking for Col. Sheridan's office and asks Custer where it is. Since he is not allowed to speak, he ignores her and keeps walking.
I've never been so outrageously treated in all my life!
Once he is allowed to speak though, he explains the situation and she is, of course, smitten with his charm and good looks.
Custer: Do you think if I were to come strolling past your house around nine o'clock at night you might be just sitting around on the veranda?
Libby: Life is full of surprises.
Custer: And if I did find you sitting on the porch perhaps you and I could go for a walk together.
Libby: [laughs] We seem to have been walking together ever since we met.
Custer: Well, I can't imagine, ma'am - if I may say so - any pleasanter journey, ma'am, than walking through life with you beside me, ma'am.
Even when he doesn't show up for that walk, Libby has definite plans for him. To her father, who is upset that the young man his daughter was waiting for didn't show up and threatens to report him:
Libby: You musn't talk about him like that!
Mr. Bacon: Why not?
Libby: Because he's the man I'm going to marry!
The reason Custer didn't show up is because it was finally decided to graduate him, as he is their best swordsman and he is the kind of man that inspires loyalty in his men, and he must leave for Washington immediately. He has to overcome the spiteful actions (or inactions) of some enemies from West Point, but he eventually gets assigned to the 2nd U.S. Cavalry, just as he wanted. He is just in time to fight in the Battle of Bull Run, at Manassas (which I've been to). He disobeys orders to retreat and wins the battle, getting wounded in the process and receiving a medal for it (as well as a letter of introduction to Mr. Bacon).
Custer is a favorite of the nurses ;)
After Custer leaves the hospital, he heads straight to Monroe and the Bacon residence. On the way there he stops at a saloon and inadvertently meets Mr. Bacon, who is there to collect the rent, who insults him. Custer calls him a "fat little pip-squeak" among other things.
Libby, meanwhile, who has been waiting for Custer's return, is in the act of having her maid (Hattie McDaniel) read her tea leaves. It works, and Custer appears on the doorstep. Libby is excited to finally see him again but acts a little cold, at least, for a few minutes.
And I'm not really angry. I just thought I should pretend to be.
After hearing his explanation, she says wisely, "And a train won't wait, but a woman will."
When her father comes home, he discovers who he daughter's sweetheart is and kicks Custer out of the house. Custer sneaks back after dark and meets Libby on her balcony. Unfortunately he already has orders to rejoin his regiment, but not before he proposes marriage. However, he wants to become a General first, that way her father will be proud of him.
As luck, or fate, would have it, he is mistakenly made a Brigadier General of the Michigan Calvary Brigade, by none other then his enemy, the Adjutant General. By the time they realize their mistake, Custer is already leading him men in charge after charge against the enemy, contrary to the orders to go the other way. After winning the battle, and saving the war, Custer becomes a hero and returns to Monroe with a hero's welcome, including the welcome of Mr. Bacon. Custer and Libby marry that same day, with Col. Sheridan as best man.
After the wedding however, not all is rosy. Custer is frustrated at his inactivity, and living off of his wife's estate. Libby visits his old friend, General Scott (Greenstreet), to ask that her husband be put back into active service.
The next day Custer gets the letter that says he is assigned to a regiment at Fort Lincoln, where he will protect 100,000 square miles of territory from the Indians. He is overjoyed to be put in command once again. De Havilland as Libby is wonderful in this scene, as she eagerly awaits her husbands reaction to his appointment, which she got for him, and her enthusiasm for him, even though she knows this means she will have to leave her genteel life behind. She thinks only of her husband.
On their way to their new home, they are attacked by Indians, led by none other than Crazy Horse himself (Anthony Quinn). Custer has him arrested and thrown in the guardhouse, from which he quickly escapes.
The Fort is in terrible disarray, with the soldiers drinking and rifles being sold to the Indians. He soon turns it into one of the finest regiments in the United States.
It doesn't take long for Custer's enemies to strike again. They fix it so that the treaty with the Indians, one protecting the Black Hills, is broken. Custer fights back and gets sent to Washington to be court marshaled. He talks President Grant into pushing back the date and reinstating his command.
The best and most touching scene of the entire film is when Custer says goodbye to Libby for the last time. He knows he won't come back and she knows it.
Walking through life with you, ma'am, has been a very gracious thing.
He then goes off to fight what became known as the Battle of Little Big Horn. The day: June 25, 1876 (140 years ago). You can watch the battle below.
To Hell or to Glory. It depends on ones point of view.
They Died with Their Boots on will air on TCM on the 8th at 9:45pm ET and again on the 27th at 4pm.
Trivia:
Because of new union laws, producers were forced to use regular screen extras without stunt experience. In the opening days of shooting 80 were injured and 3 were killed. The filming of the "Last Stand" sequence from this movie involved some 200 horsemen charging around in pretend battle and was so dangerous that one day during filming Anthony Quinn, who played Crazy Horse, arranged as a gag for a hearse to show up at the filming location.
Jim Thorpe, famous Native American athlete, was an extra in the film and had an off-camera fight with Flynn. He knocked Flynn out with one punch.
Another athlete, Louis Zamperini, Olympic athlete and subject of Unbroken (2014), was an extra in this film just before being drafted into the United States Armed Forces during World War II.
Libby Bacon Custer died in 1933, just eight years before this film was made.
When shown on Swedish TV in the mid 90s there was an additional scene between the scene where Custer, California Joe and Lt. Butler leaves Custer's tent on the night before the final battle and when Custer subsequently frees Sharpe at the wagon where he is held "kidnapped". It contained two shots, first an Indian banging a drum, then a shot of Crazy Horse, on a hill overlooking the Indian camp, addressing the spirits. The scene is missing in present DVD copies.
If you want to learn more about the real General Custer, the Landmark book Custer's Last Stand by Quentin Reynolds is very good and an easy read. However, it barely mentions Libby.
If you want to read about the historical inaccuracies of the film, click here.
You can watch a lecture on Custer and this film here. I haven't had a chance to watch it.
When one hears the words "Hollywood couple," several names come to mind: Bogie and Bacall, Gable and Lombard, Frank and Ava, Burton and Taylor. Of the four mentioned, two ended in an early death and the other two in divorce. None of them lasted for a significant amount of time. If I was to pick a Hollywood couple to use as "relationship goals," I would pick Paul and Joanne.
Hollywood marriages are almost always tumultuous and seldom make it past ten or sometimes even one! The ones that do last, however, are not because everything is rosy-dosy, but because the couple chooses to work at their marriage when an obstacle hits, instead of throwing in the towel at the first sign of trouble. Paul Newman and Joanne Woodward were one of these couples.
From the beginning, Paul and I had an advantage: we were good friends before we were lovers. I mean, we really liked each other. We could talk to each other. We could talk to each other, we could tell each other anything without fear of ridicule or rejection. There was trust.
Paul and Joanne first met while "making the rounds of agents" in the television industry.
Newman:I saw her coming out of the door at MCA, the theatrical agency, and I just thought, jeez, what an extraordinarily pretty girl. I had on my one suit - I had one seersucker suit, which I, you know, would wear all week and wash over the weekend. A button-down collar. A knit tie, a black knit tie. I said hello.
Woodward:He (Maynard Morris, agent at MCA) had discovered... me and he discovered Paul and he introduced us one day. I had been making the rounds and I was hot, sweaty, and my hair all stringy around my neck. He brought out a pretty-looking young man in a seersucker suit, all pretty like an Arrow Collar ad, and said, "This is Paul Newman," and I hated him on sight, but he was so funny and pretty and neat.
The two met again when they were both cast in the 1952 Broadway production of Picnic, later made into a movie starring William Holden and Kim Novak. Newman - who was married at the time and awaiting the birth of his second child with wife, Jacqueline Witte - was cast as Hal's (Holden's role in the movie, Ralph Meeker in the play) younger friend (played by newcomer Cliff Robertson in the movie). He was also the understudy for the role of Hal. Woodward was the understudy to both Madge (played by Novak in the film) and that of Madge's younger sister, Millie. Out of the play's 477 performances, Woodward went on 50 times.
Newman in Picnic
As both Newman and Woodward were understudies for the leads, they rehearsed a lot together. It was during this time that their friendship grew. "I'm going to get that one," a fellow actress recalled Woodward saying. However, over the next few years she dated other men and was even engaged three times - "All southern girls like to get engaged even when they aren't ready to get married."
After Picnic, both actors continued their work in television and broke into movies - Newman in such films as The Silver Chalice (1954), The Rack (1956), and his breakout film role as boxer Rocky Graziano in Somebody Up There Likes Me (1956), and Woodward in Count Three and Pray (1955) and A Kiss Before Dying (1956). Woodward then starred in HER breakout film, The Three Faces of Eve (1957).
During these few years, Newman and his wife had a third child. However, with Newman spending so much time on his acting career, a rift had grown between them. Then, in 1957, Newman and Woodward were cast in The Long, Hot Summer (1958), a steamy romance set in sweltering Mississippi. While Woodward spurned Newman on-screen, off-screen they began secretly living together. By the time filming was over, Newman and his wife had divorced, leaving Newman free to pursue a relationship with Woodward.
Though both were initially wary of marriage - Newman with his failed first marriage and Woodward's parents had divorced when she was young - the two were married on January 29, 1958 at the El Rancho Hotel and Casino in Las Vegas. The usually private couple surprisingly allowed their marriage ceremony to be public. Plenty of photographs were taken, as well as video footage. Newman was 33 and Woodward was 28.
After a honeymoon first at a small Greenwich village and then London, the exciting news that Woodward had been nominated for her phenomenal performance in The Three Faces of Eve broke. When the night of the Academy Awards came, Newman and Woodward were the most glamorous couple in attendance (Woodward made her own gown). The couple presented the award for film editing, endearing themselves to the public with their seemingly spontaneous bantering.
When Woodward was announced as the winner for Best Actress, no one was more proud than Paul Newman, even though his performance the year before in Somebody Up There Likes Me had been overlooked for a nomination (to make up for it a friend had awarded Newman with a "Noscar"). You can watch Woodward's win here.
Newman and Woodward in a romantic mood at the Oscars.
With the success of The Long, Hot Summer, Newman and Woodward were cast in Rally 'Round the Flag, Boys! (1958), a film reminiscent of the screwball comedies of the 1930s. Light comedy proved to not really be their strong point, with only the love scenes coming across as believable.
In April of 1959, Woodward gave birth to their first child, daughter Elinor Teresa Newman. She was followed by Melissa Steward in 1961 and Claire Olivia in 1965.
Woodward during her first pregnancy:
I sit around and read cookbooks and sew and wait for Paul to come home. I love it.
Eight months after Elinor (Nell) was born, Woodward was back at work, making another film with her husband - From the Terrace (1960). This was followed by Paris Blues (1961), and A New Kind of Love (1963), Winning (1969), WUSA (1970), The Drowning Pool (1975), Harry & Son (1984), and Mr. & Mrs. Bridge (1990) for a total of ten films together. Newman also directed Woodward in Rachel, Rachel (1968), The Effect of Gamma Rays on Man-in-the-Moon Marigolds (1972) - which also starred their daughter Nell, The Shadow Box (1980 TV movie), Harry & Son (1984), and The Glass Menagerie (1987).
Newman and Woodward on What's My Line 11/8/59 (they come on at 17:45 - the best part is the very end)
Now, the Newman's life wasn't all perfect. They argued like every couple. They had their difficult moments, their sorrows. But what made them different then most movie star couples is that they didn't throw in the towel at the first hardship. They worked through the difficulty and kept going.
Newman and Woodward were married for 50 years, a rarity in the movie business. Newman died the following September (2008). Woodward is the fourth oldest Oscar winner still alive.
Sexiness wears thin after awhile and beauty fades, but to be married to a man who makes you laugh every day, ah, now that is a treat.
♥ ~ ♥ ~ ♥
Fast Facts
Paul Newman:
Born) Jan. 26, 1935 in Cleveland Ohio
Full name) Paul Leonard Newman
Height) 5'9.5"
Nickname) King Cool, PL
Spouses) Jacqueline Witte (1949-1958)
Joanne Woodward 1958-2008 (his death)
Children) 6
Died) Sept. 26, 2008 (lung cancer)
Joanne Woodward:
Born) Feb. 27, 1930 in Thomasville, Georgia
Full name) Joanne Gignilliat Trimmier Woodward
Height) 5'4"
Nickname) Joey
Spouse) Paul Newman 1958-2008 (his death)
Children) 3
