Today's wedding gown is one that I'm guessing hasn't been seen by many yet looks extremely familiar. You may think it looks oddly like the famous gown worn by Grace Kelly for her marriage to Prince Rainier of Monaco (featured in the above banner). You would be right! Both gowns were designed by MGM's Helen Rose.
The film is Invitation (1952) starring Dorothy McGuire, Van Johnson, and Ruth Roman. McGuire plays a "plain" girl (she's no Rita Hayworth but she's certainly not plain!) who is surprised when eligible bachelor Johnson asks her to marry him. Roman, who has been in love with him for some time and expected to marry him herself, is abroad. McGuire tries to get in touch with her before the wedding and is unable to. Roman shows up at the wedding reception and says some nasty things to the new bride. But enough about the storyline. Let's get back to this exquisite gown.
The gown features a long sleeve lace bodice with a high "V" collar. Underneath the lace is a strapless bodice. Between the bodice and the heavy satin skirt is a wide satin cummerbund. The skirt is very full, pleated in the front and gathered in the back and has a bubble bustle on the sides and back. In the promotional photo below, we see it is less poufy and more angular than it looks in the film.
The veil is a lace covered, head piece that appears tiara-shaped from the front. It sits on the crown of the head. Attached is a finger-tip length tulle veil that ends where the bustle ends.
The above photo also shows the lace detail on the bodice. The photo below shows the headpiece on the veil clearly (as well as Ruth Roman's super chic fur-trimmed suit and hat).
Below is Grace Kelly's wedding gown for comparison.
Recently I've become interested in the movies of Dorothy McGuire. It started last month with my post on The Spiral Staircase (1945) for the Barrymore Trilogy Blogathon. Then, after seeing it listed many times on the TCM schedule but never watching or recording it, I watched The Enchanted Cottage (1945) last week. The next day I watched McGuire's first film Claudia (1943) on YouTube and yesterday I watched Mister 880 (1950). I enjoyed all of them, especially McGuire's performance in them.
Of course I have seen her in films before. Like most people I've seen The Swiss Family Robinson (Disney - 1960), although my eye was mainly on Fritz at the time, and I've seen Summer Magic (Disney - 1963)a couple times, and probably a little of Old Yeller (1957 - I have never watched the whole thing though and don't intend to), but in all of them she's just the kind yet concerned mother (plus I was a teen). I also watched Three Coins in the Fountain (1954) last year. Her performance was very good but she was too young for the role - in which she is interested in Clifton Webb whom she is the secretary of.
Trailer
The Enchanted Cottage (1945) was, as the title suggests, enchanting. McGuire is a plain girl who marries a man (Robert Young) who's face was badly disfigured in a plane accident as a matter of convenience - this is WWII. In the enchanted cottage however, they see each other as beautiful and fall in love. My only complaint is that McGuire wasn't "plain" enough for the role. Her character truly thinks she is ugly and I've definitely seen worse! All she needs to do is style her hair, do a little eyebrow trimming, and put on some makeup and a stylish dress! Another thing that bothered me is that it is implied that one cannot be happy unless they and their spouse is attractive. Also starring in the film are Mildred Natwick, who owns the cottage, and Herbert Marshall in a superb performance as a blind musician.
Trailer
Claudia (1943) is a more unusual film. McGuire and Young (in their first of four films together), are newlyweds living out in the country. McGuire - "Claudia" - is always running around, going through windows instead of doors, letting another man kiss her to see how she liked it, and admits to being attached to her mother (luckily Mother and Young get along well, no "in-law" animosity). Halfway through the film we discover the mother is ill (I'm guessing cancer but they never say what she has) and is going to die soon. She tries to hide it from Claudia but she overhears - one of Claudia's faults is eavesdropping on the phone extension. The movie basically ends with everyone accepting Mother's impending death and going on as if everything is okay. The movie was a hit, however, and McGuire and Young reprised their roles in the sequel Claudia and David was made in 1946. Unfortunately it's not on YouTube (their last film together was the 1978 TV mini-series Little Woman).
Mister 880 (1950) is a wonderful gem of a film, and I fear little known except to fans of McGuire and Burt Lancaster, who co-stars. Lancaster works for the Secret Service. He is called in to work on a counterfeiting case that has been baffling the Service for 10 years. When McGuire passes a fake bill, Lancaster begins trailing her. He then manages to get a date with her to investigate further. She finds out who he is and plays with him a little, leaving suspicious materials around her apartment. He's not too mad at her - they're going pretty steady by now. It helps that he's got some good leads on "880" (the file number of the counterfeiter). Edmund Gwenn is McGuire's delightful neighbor. This is a must-watch.
I am definitely going to be watching more of McGuire's films in the near future. I've been wanting to watch Gentlemen's Agreement (1947) for John Garfield for some time now and I want to get A Tree Grows in Brooklyn (1945) from my library and any other films of hers they have.
A silent film. A woman playing the piano. A man cranking the film. An enraptured young woman. Upstairs, a limping young woman, an impending storm, and a closet full of dresses. Behind the dresses? An eye! The limping girl is strangled! The piano continues to play.
So begins The Spiral Staircase (1945) starring Dorothy McGuire, Kent Smith, George Brent, Ethel Barrymore, and a few other familiar faces. We know from the moment the credits start that this is going to be a suspenseful film. The eerie music can mean nothing else as the notes slide up and down, immediately inducing a feeling of uneasiness. And when a murder happens before the first line is spoken, one can only wonder, how many others are going to die during its course? But back to the scene of the crime.
Downstairs at the hotel where the murder took place, the moviegoers are sent home and the town doctors come to inspect the body. Through their conversation it is established that the younger doctor, Dr. Parry (Kent Smith) is new to the town and gets on the nerves of old Dr. Harvey, who resents the fact that some of his patients prefer Dr. Parry.
On his way home, Dr. Parry picks up the young woman (Dorothy McGuire) who had been watching the movie. We learn that her name is Helen, she works at the Warren house as a caretaker to old Mrs. Warren (Ethel Barrymore), and today is her day off. We also learn that she is a lost her voice several years ago. Dr. Parry believes that with a specialist's help, she could regain her voice back. It is apparent that Dr. Parry and Helen are attracted to one another.
Before they reach the Warren house, a boy runs up to their buggy and says that his mother is sick. Dr. Parry lets Helen out and leaves with the boy. As Helen walks home through the woods, the tension builds along with the growing storm. A rustling noise turns out to be a rabbit. As she reaches the gate, the storm lets loose. She drops her key in a puddle and we suddenly see that she is not alone. A dark figure in a raincoat is watching her and starts to move towards her just as she finds her key and takes off running to the house.
In the house, Helen heads to the kitchen to dry off before going upstairs to see Mrs. Warren. We learn from the housekeeper (Elsa Lancaster) that this murder was not the first and that the murderer targets only young disabled or disfigured women. The first had a scar on her face, the second was "simple-minded," and now this third girl who had a limp.
While going upstairs, Helen stops to look at her reflection in the mirror, moving her lips as if talking and then putting her hands to her silent throat. The camera backs away from the stairs and again that dark figure is watching her and his eye fills the screen. He sees Helen's reflection without a mouth, as she can't speak. This time he only watches, then disappears into the shadows.
Up in Mrs. Warren's room, the atmosphere seems to be more relaxed. She appears to be asleep but as Helen builds up the fire, she opens her eyes and tell Helen to come to her. It is obvious that the invalid woman is very fond of Helen. Her little smile turns serious and she warns Helen that she isn't safe there and must leave tonight!
Stephen, Dr. Parry, and Albert
Downstairs we meet the rest of the family. There is Professor Albert Warren (George Brent), his secretary Blanche (Rhonda Fleming), and his younger step-brother Stephen. Stephen, who has just returned from a long stay in Paris, is a bit of a womanizer and turns his attentions to Blanche. The constable stops by and warns them to keep an eye on Helen, as they have traced the murderer to their vicinity. Albert tells Helen to stay in the house and trust no one.
Back in Mrs. Warren's room, she has another attack. She expresses displeasure that Stephen has returned, as he always brings trouble with him. She also knows that there has been another murder, even though no one told her. When Dr. Parry arrives, Mrs. Warren tells him that she likes him because he is strong like her husband, not weak like her sons. She also tells him to take away Helen at once. The strain causes another attack. They send a man to town for some more ether, which they use as a stimulant.
Downstairs, Dr. Parry tells Helen to pack her things and he will bring her to his mothers and then to Boston to see about restoring her voice. He also tells her that he has learned how she lost her voice from a visitor from her hometown that was at the home of his last patient. When Helen was a girl, she saw her house burn down with her parents still inside. Dr. Parry believes that if she stops blocking the memory out, her voice will return. After he leaves, Helen has a daydream where she and Dr. Parry are getting married. It is broken when she can't say the words "I do."
While she is packing, Blanche visits her in her room and decides to leave too, as she doesn't like being the cause of the animosity between Albert and Stephen (she had been Albert's girl first). She heads down to the basement to find her suitcase. She is frightened by someone she knows and her smile of relief turns to terror as whoever it was strangles her, her face and the murderer shrouded in darkness.
While all of this is taking place, Mrs. Warren tells Helen of a murder she saw many years ago, on the grounds of this very house. It was a simple-minded girl. A "tree" moved and threw her into the well. Mrs. Warren couldn't find a rope to save her. Then she says something strange: "You were that girl, Helen." Again she warns her to leave, or at least hide under the bed.
Full movie
*THE REST OF THE POST CONTAINS SPOILERS*
Helen then goes downstairs to find Blanche and finds her body. She now knows the murderer is in the house. Suddenly she hears someone behind her. It is Stephen. He tells her to go call Dr. Parry. Helen runs out and locks Stephen in, thinking he is the murderer. She rushes to the phone but when the operator asks for the number she can't say anything. Albert walks in and she writes down what has happened. He starts to take her upstairs to his step-mother's room but stops at the mirror. He reveals that he is the murderer. "There is no room in the whole world for imperfection." He explains his actions as disposing the weak that his father detested. "He would have admired me for what I'm doing."
Helen manages to get away from him and locks herself in Mrs. Warren's room. She frantically begins searching for the gun that is usually on Mrs. Warren's nightstand. Then she sneaks back downstairs to let Stephen out but stops when she sees Albert's shoes at the bottom of the spiral staircase, where he was about to go tend to Stephen. She turns to go back up the stairs and who should be standing there with a gun but Mrs. Warren! Albert comes our of his hiding place and she shoots him multiple times, "ten years too late." Helen, for the first time, screams. She then goes and lets out Stephen, who rushes to his mother, who has now collapsed. "Forgive me, Stephen, I thought it was you. He always waited until you came home, so I thought it was you." Stephen again sends Helen upstairs to call Dr. Parry. This time she is able to speak.
