It's Snowing! Making Celluloid Winter Wonderlands

What do you first think of when you see this scene? Did any of you think asbestos? How about cornflakes? If you're like me you most likely thought, "Christmas in Connecticut! I love that scene! The snow is so pretty."

Well, you're right, it IS Christmas in Connecticut and the snow is pretty! Wait, did I just say snow?

Everyone knows that Hollywood, California, is where movies are made. Everyone ALSO knows it doesn't snow there. So how did scenes like the one in Christmas in Connecticut come about? Did the entire movie set pack up and head to where the real snow was? Did they bring the snow to Hollywood? Or did they make their own?

Click here in case you now need to listen to "Snow."

Silent, and not so silent Snow

Snow scenes in films have been around since the beginning of movies themselves. In order to have them be as realistic as possible, the whole cast and crew would pack up in search of snow and ice.  And while it looked nice on film, there were numerous problems and accidents associated with it. Camera's froze, actors fell into ice waters or suffered hypothermia leading to lost toes and rheumatism, got lost in snow storms, fell down mountains... pretty much anything that could happen, did.

A popular silent film, The Gold Rush (1925) starring Charlie Chaplin, featured both real snow and fake. The film was shot in the Sierra Nevada Mountains and made to look like the famous Chilkoot Pass in Alaska. However, after Chaplin came down with pneumonia, the crew headed back to Hollywood and constructed snow-covered mountains with timber, chicken wire, and burlap covered with salt and flour. Other early snow scenes used everything from white pine sawdust, scraps of paper mixed with salt (thrown in front of a wind machine it made very convincing snowfall), cotton wool, paraffin (for ice) and crushed gypsum (from their own mine), the last of which probably contributed to the early death of actor Lon Chaney, who died of lung cancer in his mid-forties.

UPDATE (from a tweet by the TCM account: "The fake ice and snow consisted of 200 tons of plaster, 285 tons of salt, and 100 barrels of flour. The blizzard scenes required four cart-loads of confetti."

The most popular form of early movie snow was cornflakes painted white or bleached, mixed with shaved gypsum. Yes, cornflakes. However, once sound entered the picture, cornflakes posed a huge problem: when the actors walked on it you couldn't hear what they were saying! Dialogue had to be added later.

Hey, I've got an idea!

In the late 1920s, a firefighter had a "bright" idea. Why not use Asbestos? The chrysotile asbestos fibers were cheap, versatile, and thought to be harmless (we now know it causes mesothelioma as the loose fibers were easily inhaled). A huge plus was that it didn't make noises when actors walked on it, an important feature once synchronized sound in film was the norm. It also wouldn't catch fire, something that cotton batting was in danger of doing (though in reality not much of a threat). Films such as The Wizard of Oz (1939) and Holiday Inn (1942) feature the harmful substance, sold under the harmless sounding names of "Pure White" and "Snow Drift." It was used not only in movies, but on the stage, department store window displays, and as decoration in homes throughout the 30s and early 40s. The product was popular up until the start of WWII, when asbestos was needed instead for ships, planes, and other military equipment. However, the product was still used all the way up until the mid-50s.

Don't breath it in, Bing!

It's a Wonderful Idea

In the summer of 1946, a new "snowstorm" was brewing. The film was the now iconic classic It's a Wonderful Life starring the just-returned-from-the-war veteran James Stewart and it needed snow... lots of it. Shaved ice could be used for icy paths and plaster would be used for snowbanks and spryed on trees but for the snow they wanted something different. Russell Sherman, RKO studio's head of special effects and a much more brilliant man than that fireman, used his engineering skills and some post-WWII technology to come up with silent, unmeltable, and realistic-looking fake snow. The chemical mixture he came up with used foamite—a material used in fire extinguishers—and mixed it with sugar, water, and even soap flakes. It was sprayable and could be quickly blasted over set pieces using wind machines. The film used 6,000 gallons of the substance, which "clung convincingly to clothing and created picture-perfect footprints, while generating nothing like the sound of trod-upon breakfast cereal." Sherman, along with the rest of the RKO Special Effects Department received a Class III Scientific or Technical Oscar from the Academy of Motion Picture Arts and Sciences for "developing a new method of simulating falling snow on motion picture sets."

Sherman's snow, called Phomaide, revolutionized snow in film, yet as time went on, other methods were developed to meet different needs. Dr. Zhivago (1965) called for Siberian ice. Since filming in Russia was out of the question, special effects guy Eddie Fowler used hot wax and marble dust to create a glittering, frozen tableau.

Snowmaking Today

Today, the majority of snow in films comes from one company: Snow Business, located in Britain. They boast over 200 different types of eco-friendly snow made from a variety of materials, including recycled paper and plastics, that is both safe and comfortable for actors. Looking at all of the different types of "snow" on their website is amazing; one would swear it is real. There are pages for settled snow, falling snow, ice, frost, falling ash, icicles, dirty snow, clean snow, indoor snow, the combinations are endless! They also provide real snow, which can last up to three days if stored properly.

Digital Snow

The last kind of movie snow is digital snow. Technology has advanced so far since the advent of films. Where once studio workers would painstakingly make an entire field of individual poppies (The Wizard of Oz), now huge vistas, fields, mountains, building, bridges - all can be created digitally using green-screen technology. So when you see huge icy mountains in a film, they could be real or they could be digital! We've come a long way!

Sources:

Popular Mechanics: Snow Job - How Hollywood Fakes Winter on Film. 2013.

GIZMODO: Hollywood Invented a New Type of Fake Snow to Film It's a Wonderful Life. 2011.

Mesothelioma.com - Fake Snow

Wonderful Engineering: This is how they make snow in movies. 2013.

ImagineMDD: Fake Snow Bringing Winter to Silent Movies. 2014.

BLDGBLOG (Building Blog): The Snow Mine. 2014.

It's a Wonderful Life (1946)

This post is part of the Classic Movie History Project Blogathon focusing on the System (How movies are made) hosted by Movies Silently, the Films (the movies themselves) hosted by Silver Screenings, and the People (the folks who made the movies) hosted by Once Upon a Screen.

Day 1: The Studios & the Publicity Dept.

Day 2: The Production Code & the Magic of Animation

Day 3: The Groundbreakers & Before They Were Stars

Day 4: The Technical Dept. & the Wardrobe Dept.

Day 5: Movie Disasters & the Wonderful World of Color

Day 6: The Family Business & a Foreign Affair

Movie House Love

Cary Grant & Katharine Hepburn in Holiday (1938).

Do you often catch yourself drooling over the houses in classic films? Do you take screenshots of rooms when watching a movie because you can't help yourself. Do you find yourself liking a film more for the house than for the plot? Then Hooked on Houses is a site you need to check out!

I discovered Hooked on Houses early on in my blogging experience (which has only been a few years) and it is one that I have gone to time and time again. Julia's site, which has updates on movie houses up for sale (movie star homes and houses that were used in films), has a page dedicated especially to movie homes. Each house featured has screenshots galore as well as interesting tidbits, like what other films it was used for or what it looks like now (if it's an actual house and not a set). Here are just some of the films she has covered (new ones added all the time):

Bringing Up Baby

Christmas in Connecticut

Leave Her to Heaven

The Ghost and Mrs. Muir

Mrs. Miniver

Breakfast at Tiffany's

Meet Me in St. Louis

Pollyanna

Holiday Inn

White Christmas

It's a Wonderful Life

Mr. Blanding's Builds His Dream House

 

And more!!!

 

I hope you will check out her site soon! You will be glad you did :)

Directors of Christmas Movies

                  

We watch them every year but aside from Frank Capra's It's a Wonderful Life (and probably Michael Curtiz's White Chirstmas and Ernst Lubitsch's The Shop Around the Corner), you may not notice or recognize the director of your favorite Christmas films. In this post I am going to tell you who directed each of the most famous Christmas films and what other major films they directed. *This is not a complete list of Christmas films, just some of the better known or my personal favorites.

As I already mentioned, Capra and Curtiz need no introduction, but did you know the director of Christmas in Connecticut (1945) was Peter Godfrey? I certainly didn't recognize his name. I looked him up and discovered he was London born and directed two other great Stanwyck films (which I will be looking at for the Barbara Stanwyck Blogathon later this month) The Two Mrs. Carrolls (1947)and Cry Wolf (1947).

 

George Seaton directed the much loved Miracle on 34th Street (1947) but did you know he also directed The Country Girl (1954)? He also directed 36 Hours (1964), a James Garner film I discovered this year.

The director of The Bishop's Wife (1947) was Henry Koster, born in Berlin. He directed many well-known films, including The Inspector General (1949), Harvey (1950), and The Robe (1953), to name a few.

Holiday Affair (1949) is one of the lesser known holiday films starring Robert Mitchum and Janet Leigh. It was directed by Don Hartman. He only directed five films total, but was the writer of many popular films, including quite a few for Bob Hope.

Remember the Night (1940), another Stanwyck film, was written by Preston Sturges but directed by Mitchell Leisen. His 50 credits include a couple Lombard films, Midnight (1939), and many other romantic comedies.

Bachelor Mother (1939) was directed by Garson Kanin, who directed My Favorite Wife (1940) and who wrote the Tracy/Hepburn films Adam's Rib (1949) and Pat and Mike (1952).

Lastly, Holiday Inn (1942), which introduced perhaps the most popular Christmas song of all time, "White Christmas," was directed by Mark Sandrich, who has 76 credits beginning in 1926 and ending in 1946 (his death). His name will be familiar to all who love the Astaire/Rogers films.

Remembering Henry Travers 50 Years Later

Today is the 50th Anniversary of the death of Henry Travers, best known for his role as Clarence, "angel second class," in It's a Wonderful Life (1946).

Henry Travers was born Travers John Hegarty on 5 March 1874 in Ireland and then moving early on to Berwick-Upon-Tweed, Northumberland, England. When looking for his birthplace you may come up with several locations. This article explains how they found the right one. His parents were Dr. Daniel Hegarty and Ellen Gillman Hornibrook Belcher.

Trained as an architect, Travers joined the stage and changed his name to Henry Travers. A veteran of the British stage, he emigrated to the US in 1901. He continued working on Broadway and in 1933 appeared in his first Hollywood film, Reunion in Vienna. In the film he plays Father Krug, a role he had played first on Broadway.

His first wife was Amy Forrest-Rhodes, who died in 1954. His second wife was Ann G. Murphy.

Henry Travers died on this day in 1965 of artery disease.

Films:

Escapade (1935)

Dodge City (1939)

 

High Sierra (1941) as Pa

 

Ball of Fire (1941) as Prof. Jerome

 

Mrs. Miniver (1942) as Mr. Ballard the postman (nominated for Oscar)

Random Harvest (1942) as Dr. Sims

 

Shadow of a Doubt (1943) as Joseph Newton

The Very Thought of You (1944) as Pop Wheeler

 

The Bells of St. Mary's (1945) as Horace P. Bogardus

 

It's a Wonderful Life (1946) as Clarence

After that he made only four more films, retiring in 1949.

Sources:

TCMDb - click to see upcoming films of Henry Travers airing on TCM
IMDb
The Journal - UK: Wonderful Life of Henry Travers Revealed 
Find A Grave

Magazine Article