Friday, October 28, 2016

Costume Dramas of Golden Hollywood

 
Costumes, like everything else involved in filmmaking, are extremely important to movies. Without them, viewers would have to try to imagine them (like imagining sets in a play). As you can see, it would be very difficult to envision the tone of a film without them. Therefore, Hollywood has long spent lavish amounts of money of costumes, whether they are fantastical or gritty and realistic, glamorous or ordinary.

Rhett is definitely not in costume!

Costumes are especially important in Period films. It would be very difficult to imagine an Elizabethan setting if the actors were dressed in jeans and t-shirts! Or think of Gone With the Wind without all of those hoop-skirted dresses! Costumes also help the actor to get into their character and therefore act more convincingly, especially in a time they are not familiar with. It can also be plain fun, as Greer Garson recalls:
I think all of us have often thought how interesting it would be to live in a different age and time. Imagination at best is a poor substitute for reality. My role as Miss Bennett (Pride and Prejudice, 1940) was one of the happiest I ever played. In the charming feminine costumes of the period. working on sets authentically re-creating Old English homes, schooled in the modes and manners for the period, and surrounded by the proper atmosphere - gallant gentlemen, candlelight, carriages and pianofortes - it was possible to believe that I was Elizabeth [Bennett] while the cameras turned, and each night after work it was like stepping out of one world into another. I always hated to take off the colorful costumes and put on slacks, feeling something like Cinderella after the ball.
Why Larry! How dare you suggest my costume isn't authentic!

Because movies are so popular, what we see in the movies is convincingly real and sometimes the line between fact and fiction becomes blurred. Especially with costumes, "Hollywood usually offers its audience an elaborate and excessive vision of the past, filtering history through rose-colored glasses... to create the effect of a different time."

That being said, Hollywood gets many aspects of period costumes correct, but oftentimes it is mixed in a little with modern trends to be more easily identifiable with the movie-going public. Fabrics, silhouettes, undergarments, make-up, and hair styles were frequently, and sometimes purposefully,  changed for a modern look with an authentic feel, making the viewer feel like they had just seen something of historical fact yet at the same time be able to relate completely with the characters. They could also incorporate the looks seen easily into their wardrobes, as these patterns from 1939 show (released by Hollywood of course):


With period films from the Classic Hollywood era, one can still always tell what decade the it was actually made in, even if you aren't familiar with the main actors. A 1930s period film looks like a 1930s period film, just like one from the 1960s looks like it was made in the 1960s.

The fabric is wrong. The makeup is wrong. But it feels right.

Some actors and actresses strove for authenticity however. Bette Davis famously shaved her hairline to play Queen Elizabeth I not once, but twice! Even then, she wasn't allowed to shave it back as far as she wanted for fear it would alienate the movie-going public.


Nowadays, Hollywood and other film-makers are much more careful with getting the details right. For example, the popular BBC television drama Downton Abbey had a historical advisor on the set at all times to make sure that every detail was as authentic as possible. Even such small items as a letter seen for only a split second were handwritten in the style of the period. The celebrated costumes were sometimes actual 1920s items or had pieces taken from a gown falling apart and refashioned into a wearable piece using only materials that would have been available at the time. Some dresses were so delicate that they fell apart soon after filming! The makeup was even authentic, with just a little powder to even out skin tones. Here is a short video about the costumes, hair and makeup on the show (Warning: gives away plotlines). Here's another really short one.


If you are interested in pursuing this topic further, Hollywood and History: Costume Design in Film by Edward Maeder is an excellent book. It was a companion piece to an exhibition hosted by the Los Angeles County Museum of Art. The chapters include Historical Dress in Films, Hair and Makeup, and their impact on fashion.

       

This post is for the Characters in Costume Blogfest hosted by Christina Wehner and Into the Writer Lea. Be sure to check out all of the other "form-fitting" posts ;)


Saturday, October 22, 2016

Cinema Wedding Gowns: The Long, Long Trailer (1954) & Forever, Darling (1956)


Recently for the first time I watched The Long, Long Trailer (1954) & Forever, Darling (1956). Both films star real-life couple Lucille Ball and Desi Arnaz, popular from the television sitcom I Love Lucy (1951-1957). Both are about a couple who gets married, has some difficulties, and reconcile in the end. Both use Yosemite National Park as a filming location. And both feature gorgeous 1950s lace wedding gowns (they are also in color but I was unable to take screenshots from either movie).

         
Left: The Long, Long Trailer; Right: Forever, Darling

As you can see, both dresses have a strapless bodice with a lace overlay featuring a high stand-up collar and long sleeves. They also both have a lace apron-like skirt over a full skirt of another type of fabric. Helen Rose designed the gowns for the first film and Eloise Jenssen designed those of the second. Both are ultra-glamorous and chic, as only the fashion-conscious Lucille Ball would have it. While the dresses are both featured somewhat briefly in the films, there are several lovely promo shots that show much more detail.


 
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The sketch by Jenssen (note how the veil is different) and the gown as seen on a model.

Lucy in the dress with a matching doll


The veils are tulle attached to a cap-like headpiece made of lace. While the one from The Long, Long Trailer sits on the back of the head and is a very typical 1950s look, the headpiece from Forever, Darling is much more over-the-top and falls well onto the face.


      
 
A coloring page to promote Forever, Darling
 

Saturday, October 15, 2016

How to Get Your Ex-Husband Back, According to Maureen O'Hara

There comes a point and time in a man or woman's life (especially the cinema life) that he or she wishes they hadn't gotten that divorce after all and try to win their ex back. The Parent Trap (1961) is a film that lays the steps out for us perfectly and clearly.

1. Get yourself a stylish haircut and wardrobe. You certainly don't want him to see you as a matronly woman, especially a "proper" one from Boston. Let him know you still have allure! Show off that fabulous figure! You will want to look your best next to his new, younger fiancé!

                        
Before and after


2. Leave your lingerie in his bathroom. Make him realize what he's missing. Sure, he might get confused and think it's his daughters (did she grow up that fast?) but in his state of confusion he will have less energy to send you away or get involved in a fight between you or your daughters and his fiancé.

3. Recreate your first date (especially if it was romantic). Nothing will get a man in the mood better than good food, soft candlelight, and music. It will make him reminiscent and give him a glimpse of how his life could be if he goes back to you.


4. Reveal his fiancé's true colors. Send her on that camping trip instead. He will almost immediately see that she won't be a good companion for him and that she must just be after him for his money.



5. Make him your special stew when he gets back. Barefeet and a soft, clingy top in a color that goes well with your hair helps. Make an excuse to get him close to you (like get your apron knot too tight). He will really start to crave the home life he used to/could have. If you don't have him by then, see the next step.


6. If you need to, a good sock in the eye may help him see straight, no pun intended. That's right, let him know you don't need him. He'll come around.


7. And lastly, get help from your teenage daughter's. They can be immensely helpful in this sort of thing, especially if they are twins separated at birth ;)


And, in the words of Miss Inch, they "will all be one big, happy family."


How to DIY some of the costumes
Screenshots of the California Ranch House
The original puppets from the opening song!

This post is part of the Things I Learned From the Movies Blogathon hosted by Speakeasy and Silver Screenings. To learn more, check out all of the other fantastic posts!


Sunday, October 9, 2016

My 2nd Anniversary and a Sunshine Blog Award


Wow. I can't believe it has already been two years since I started this blog and became part of a wonderful, unique group of people known as Classic Movie Bloggers!! I don't know how I lived without this outlet for all of my Classic Movie adventures and discoveries. In the past year alone I have:

 
  • Hosted a Costume Awards to vote and give Oscars to the costumes that came before the institution of the Best Costume Award category
  • Listed my Top Ten on nearly every topic imaginable (ok, not really, but a lot)
  • Wrote what I consider my best posts to date in the month of August (especially the first half of the month)


And started a Cinema Wedding Gowns series.


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I have also been nominated by Virginie of The Wonderful World of Cinema for a Sunshine Blog Award. Below are my answers to the questions she asked (since I just did a Liebster I will not be tagging anyone or asking 11 questions). Thanks Virginie!!



1. Except for the USA… which country do you think makes the most interesting and worthy movies?
- Well, the only other country I've watched movies from is England...

2. If your life had to be like a movie, which movie would you choose?
- Gidget?

3. Which movie star inspires you the most? It doesn’t necessarily have to be your favorite.
- Carole Lombard

4. What is your favourite catastrophe movie of the 70s (the golden decade of catastrophe movies)?
- I haven't seen any...

5. To you, who is the most iconic actress of all times and the most iconic actor of all times?
- Audrey Hepburn and John Wayne 

6. Is there a book you would like to see a movie adaptation of? Who would star in it?
- Maybe a Trixie Belden mystery book with Sandra Dee

7. You think Audrey Hepburn made her best movies with Billy Wilder, William Wyler or Stanley Donen? I chose the movie directors with whom she made more that just one film.
- William Wyler

8. If you had the chance to own all the costumes of one movie, which one would it be?
- White Christmas (1954) & The Man From U.N.C.L.E. (2015)

9. What do you think was the prettiest Oscar dress?
 - Audrey Hepburn

10. The ugliest?
- Haha most of the ones from the 70s-90s

11. If you could go back in time, what would you change from the movie history? But you can choose only ONE thing (it can be a movie ending you didn’t like, prevent the premature death of one of your favourite actors, choose another actress for Scarlett O’Hara, anything!) I know, hard choice.
- I would have Carole Lombard not die.
 
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While my blog will never look like what I intended it to in the beginning, I am enormously proud of the way it has turned out and how it continues to bring me joy. I am also thankful for the friends I have made along the way (you know who you are) and for all the discoveries I have made through their blogs and comments. Here's to many more years :)

Saturday, October 8, 2016

Cinema Wedding Gowns: The Parent Trap (1961)


When I started this series I mentioned that some of the gowns I would cover are only seen for a brief moment on screen. One of these gowns is the wedding dress worn by Maureen O'Hara at the end of The Parent Trap (1961). Not only is it on screen for less than a minute, it is also only seen in Hayley Mills' dream.

Here is what we see in the film:

 
Susan and Sharon's matching bridesmaids dresses:
 
 
Here are some publicity photos that show more of the dresses. As you can see it's a very pale yellow:

 
This is a great photo. Maureen O'Hara is so beautiful.
 
This shows the entire dress, minus the veil.

This photo shows the lace on the bodice.